061
LITERATURE
Art and Artists of 20th Century China (Prof Michael Sullivan)
Dato’ Chuah Thean Teng Retrospective (Exhibition, Penang State Art Gallery; curator: Dr Tan Chong Guan, 1994)
Cockerels are not staple themes in Dato’ Chuah Thean Teng’s batiks although he did a few in Chinese ink on rice-paper. The trinity of roosters heralding the morning break and thus a new dawn of endeavour, with the sunbursts on the top section and accents on the reddish coxcombs, plays loosely on the geometric and fluid overlaps. The wings take on an armour-like protection, making the crowing chanticleers symbolic gatekeepers. But the device is more to create an abstract pattern with shimmering highlights, and to show that it is achievable in a batik work with touches of acrylic.